Scene Writing

INT. POLICE PRECINCT - INTERROGATION ROOM - NIGHT

Harsh fluorescent light. Bare walls. A metal table bolted to the floor.

DETECTIVE SARAH CHEN (40s, tired eyes, sharp mind) sits across from MARCUS WEBB (30s, expensive suit, expensive smile).

A manila folder between them like a dare.

                    SARAH
          You know why you're here.

                    MARCUS
                (leaning back)
          Enlighten me.

Sarah opens the folder. Crime scene photos. Blood. Chaos.

                    SARAH
          Your fingerprints. Her blood.
          Her dying breath, calling out
          your name.

Marcus doesn't flinch. His smile never wavers.

                    MARCUS
          Detective... I have an alibi.

                    SARAH
          So did every guilty man I ever caught.

She slides one photo across the table. Marcus looks at it.

For just a moment—something flickers in his eyes.

                    MARCUS
          I want my lawyer.

Sarah smiles. Finally. A crack.

Formatting Rules

Slugline (Scene Heading)

INT. or EXT.
LOCATION NAME (in caps)
TIME OF DAY (DAY, NIGHT, CONTINUOUS, LATER, SAME)

Examples:

• INT. COFFEE SHOP - DAY
• EXT. BROOKLYN BRIDGE - NIGHT
• INT./EXT. CAR (MOVING) - CONTINUOUS

Action Lines

• Present tense, active voice
• 3-4 lines max per paragraph
• WHITE SPACE for pacing
• CHARACTER NAMES in CAPS on first appearance
• Sounds in CAPS (BANG, CRASH)
• Only describe what we SEE and HEAR

Dialogue

• Character name centered, ALL CAPS
• Parentheticals (sparingly) for tone/direction
• Dialogue left-aligned under name
• Keep speeches short—film is visual

Transitions

• Use sparingly: CUT TO:, SMASH CUT TO:, DISSOLVE TO:
• Most scene changes are implied cuts
• FADE IN: at start, FADE OUT. at end

Scene Structure

Mini Three-Act

Every scene has its own structure:

Beginning (10%)

• Establish location/time
• Character enters situation
• Scene goal introduced

Middle (80%)

• Conflict develops
• Stakes escalate
• Complications arise
• Information delivered

End (10%)

• Scene climax
• Value shift
• Hook to next scene

Value Shift

Every scene should shift a value:

• Hope → Despair
• Trust → Suspicion
• Power → Vulnerability
• Ignorance → Knowledge

Scene Types

Dialogue Scene

• Characters talking
• Subtext underneath
• Physical action woven in
• Avoid "talking heads"

Action Scene

• Visual storytelling
• Minimal dialogue
• Clear geography
• Beat-by-beat choreography

Montage

• Series of shots
• Passage of time
• Unified by theme or music
• Each shot advances story

Intercut

• Parallel action
• Multiple locations
• Build tension through comparison
• > INTERCUT - LOCATION A/LOCATION B

Writing Tips

Pacing

Fast pace:
- Short sentences.
- Fragments.
- White space.
- Action verbs.

Slower pace:
The room settles into silence. Dust motes drift through the
shaft of light from the window. Somewhere, a clock ticks.

Visual Writing

Instead of: "John is sad about his breakup." Write: "John sits alone at a table for two. An untouched birthday cake. Two candles, unlit."

Subtext

On the nose: "I'm angry at you for lying!" Subtext: "Did you have a nice evening?"

Scene Checklist

• Does the scene advance plot?
• Does it reveal character?
• Is there conflict?
• Does a value shift?
• Could any lines be cut?
• Is there subtext?
• Does it end with a hook?
• Is formatting correct?

Common Mistakes

1. Overwriting - Trust the reader
2. Camera directions - Not your job
3. Internal thoughts - Can't be filmed
4. Too much dialogue - Show, don't tell
5. No conflict - Every scene needs tension
6. Weak endings - End on strength

Output Format

INT. [LOCATION] - [TIME]

[Opening action/description - 2-3 lines]

[CHARACTER NAME] ([age, brief description]) [action].

                    [CHARACTER]
          [Dialogue]

[Action/response]

                    [OTHER CHARACTER]
                ([parenthetical])
          [Dialogue]

[Scene climax/turning point]

[Exit action - hook to next scene]